White balance is now adjustable in the 6.6 version. Just go to the where you adjust sharpness and there is a white balance control now.Thanks for the answer, I have to use version C. And I have a problem with the white balance on this one. It goes a lot towards the blue shade.
If there is a relationship between compression and the jitter, it would only be compression size of the first few frames. As I've noticed that once the jitter starts is it always there, which which why I found setting the short shutter helpful (like it moves the jitter out of frame.) You can test the compression theory by starting the encoding on blank leader. The compression is adjustable. I set a start QP factory and a maximum QP. I think is starts around 24 and slowly increases to 18 or 19. If there is a buffer overflow warning, I drop the QP back to 24, it does this continuously for a crude rate control. I'm not trying for 35Mb/s, but rather the high quality while keep the capture reliable. For the high grain source these might both be too high. So rather than changing the sharpness, change the QP limits. There is some documentation in the binaries.New update.
The Tri X film is a nasty one with a lot of visible grain and the development in Caffenol accentuate it.
My attention was captured by the high bitrate that the previous clip had eq. 46.7 Mbit/s, well above the 35 Mbit/s 0dan0 set.
View attachment 22945
So i tried to to reduce sharpness more, at -1.5 and -2. At -2 I hit the sweet spot of 34.6, loosing in definition but removing the jitter effect quite completely.
The clip now is usable, a little muddier but usable. Maybe there will be some software improvements in the future.
View attachment 22946
I also removed the ghost images converting the clips to monocromatic in Davinci Resolve.
I digitized again a color film, (an Ektachrome 40 developed in 1975), with a bit ate of 22.3 Mb/s, sharpness -2. The image suffers from jittering in the upper part of the frame and is also visible the ghosting.
I'll do some more tets.
View attachment 22949
I know, but even at 2 it's not enough for some films.White balance is now adjustable in the 6.6 version. Just go to the where you adjust sharpness and there is a white balance control now.
I can't say I've tried to be honest as I do not have one. From my comparisons on the other similar scanner firmwares it seems to be a common file.Have you found this for Reels scanners?
I'm finally starting some test scans utilizing the v6.6 Manual User Controlled White Balance setting to determine the best setting for my old films (8mm from 1950s & 1960s. I have a couple of observations that relate to @omega's statement above about +2 not being enough:Under the picture setting "Exposure" is replaced with "White Bal", for a manual, but fixed, white balance control. You should not need to reflash FW to change the white balance any more.
White Bal. values to their RGB gains
White balance Red gain Green Gain Blue Gain 2.0 1.75 1.25 1.0 1.5 1.5 1.125 1.0 1.0 1.375 1.0 1.125 0.5 1.25 1.0 1.25 0.0 1.0 1.0 1.0 -0.5 1.0 1.0625 1.125 -1.0 1.0 1.125 1.25 -1.5 1.0 1.1875 1.5 -2.0 1.0 1.25 1.75
The camera sensor? I haven't seen a source, it may be a custom part, but it also may be similar enough to find a replacement. The pinout of the ribbon cable to the camera isn't known however.Hi, I'm new here.
I bought a used Kodak Reels Film Digitizer, and the sensor is defective. Do you know a possibility to purchase a new sensor?
The cover is held in place by 6 tabs that click into slots in the face of the scanner. To get it off from the front, push up on the bottom of the cover to bend it and release the two bottom tabs. Rotate up carefully to release the side tabs, then fully remove it from the scanner. See pictures.Can anyone tell me how to remove the lens cap? I thought it was snapped on, but I can't. I would like to check if the focus is OK.
The best would be able to generate 8 bits uncompressed tiff files with the Kodak Reels. This and using the full frame of the sensor with a macro lens (Full frame of the sensor fiting with the super8 frame 1:1). This image sequence would be imported in Topaz to reduce the grain just a bit. That would be perfect. We are getting close to have all of the original grain (Mainly bright areas) with the lastest firmware hack but to reduce it with the nyx filter in topz it has to be an uncompressed image.@rdesros Topaz does a good job for noise reduction and grain removal while preserving sharpness and details. This is the approach I initially thought I would go, but I like the grain, which lead to all the lens and firmware hacks to preserve as much as possible. Seems you might have some dirt on the backlight, or the lens, as the are static spots in the capture.
6.0 just has the longer exposure, which caused more jitter for me, so there some hardware dependency. I will try to make the exposure delay controllable.Hi,
I downgraded to firmware 6.0. I digitized a Kodak Vision3 200T, there is no issue with the jitter nor with the color ghosting.
I stay with it for now. Thank you